David randolph scott biography quartet
•
David Scott
American astronaut and lunar explorer (born 1932)
For other people named David Scott, see David Scott (disambiguation).
David Randolph Scott (born June 6, 1932) is an American retired test pilot and NASA astronaut who was the seventh individ to walk on the Moon. Selected as part of the third group of astronauts in 1963, Scott flew to space three times and commanded Apollo 15, the fourth lunar landing; he is one of fyra surviving måne walkers and the only living commander of a spacecraft that landed on the Moon.[2]
Before becoming an astronaut, Scott graduated from the United States Military Academy at West Point and joined the Air Force. After serving as a fighter pilot in Europe, he graduated from the Air Force Experimental Test Pilot School (Class 62C) and the Aerospace Research Pilot School (Class IV). Scott retired from the Air Force in 1975 with the rank of colonel, and more than 5,600 hours of logged flying time.
As an astronaut, Scott made
•
Randolph Scott | |
|---|---|
Scott in the early 1930s | |
| Personal details | |
| Born | George Randolph Scott (1898-01-23)January 23, 1898 Orange County, Virginia, United States |
| Died | March 2, 1987(1987-03-02) (aged 89) Beverly Hills, California, United States |
| Spouse | Marion DuPont (1936–39) (divorced) Patricia Stillman (1944–1987; his death) |
| Children | 2 (adopted) |
| Occupation | Actor |
George Randolph Scott (January 23, 1898 – March 2, 1987) was an American film actor whose career spanned from 1928 to 1962. As a leading man for all but the first three years of his cinematic career, Scott appeared in a variety of genres, including social dramas, crime dramas, comedies, musicals (albeit in non-singing and non-dancing roles), adventure tales, war films, and a few horror and fantasy films. However, his most enduring image is that of the tall-in-the-saddle Western hero. Out of his more than 100 film appearances over 60 were in Westerns; thus, "of all the major stars
•
Yet none of that—the debates over gay or bi or straight, who witnessed what and when, the coding of certain photoshoots—approaches the question of what Grant and Scott meant to one another, or how this relationship shaped who they became both privately and on-screen. At least one acquaintance of theirs has even quoted Grant calling Scott the love of his life. Prior accounts of this relationship, ranging from biographies to documentaries, haven’t fully examined what was publicly known and disclosed at the time, instead relying on cheeky magazine photographs and headlines. But the intimate contents of those articles, combined with the eventual testimony of men who knew Grant and Scott, paint a unique portrait of cohabitation, codependency, and love—platonic at minimum, and very possibly romantic.
Who knows why Paramount agreed to have two of its hottest up-and-comers talk to Modern Screen about cooking and fine dining, just as career-ending—in those days, maybe life-ending—rumors s