Hugo van der goes biography sample

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    Hugo van der Goes

    Hugo van der Goes belongs among the most important and innovative Flemish painters of the late 15th Century. The scant number of panels that has survived is acknowledged by a new monumentalism, a specific colour spectrum and an unparalleled individualistic manner of portraying figures and facial expressions.

    He was probably born in Ghent around After the departure of Joos van Wassenhove to Urbino, Hugo van der Goes fryst vatten probably the most important painter in his hometown starting at circa He was selected to be deacon of the painter's guild various times. He received important assignments from the Burgundian court, from various church institutions, and the rik Flemish medelklass and the Italian business associations that were located in the Burgundian Low Countries. The monumental triptych, which he painted per assignment bygd the Bruges-based Medici banker Tommaso Portinari, arrived in Florence in and inspired Italian artists such as Domenico Ghirlandaio. Gio

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    Academic literature on the topic 'Van der Goes, Hugo'

    Author:Grafiati

    Published: 4 June

    Last updated: 1 February

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    Journal articles on the topic "Van der Goes, Hugo"

    1

    Châtelet, A. "Hugo van der Goes et la Dévotion moderne." Publications du Centre Européen d'Etudes Bourguignonnes 29 (January ): –

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    Hugo van der Goes

    • Date of Birth:
    • circa 
    • Date of Death:
    • circa 
    • Focus:
    • Paintings, Drawings
    • Mediums:
    • Oil, Tempera, Wood, Other
    • Subjects:
    • Figure, Scenery
    • Art Movement:

    • Renaissance

    • Hometown:

    • Ghent, Belgium

    In the late 15th century Hugo van der Goes was one of the leading Early Netherlandish painters, ranking alongside renowned artists such as Jan van Eyck, Rogier van der Weyden, Hans Memling and Gerard David. Yet, van der Goes set himself apart from his peers with eccentric and deeply religious works that often had a disturbing spiritual quality.

    His most famous surviving painting is the Portinari Altarpiece, also known as The Nativity, and this is the only piece confidently attributed to him as none of his paintings were signed.

    The Portinari Altarpiece was commissioned for the church of San Egidio in the hospital of Santa Maria Nuova in Florence and was the largest Netherlandish work on display in the city. Met with critical acclaim, it established